Investigating Austrian nuclear nationalism

by Florian Bayer

Greenpeace Austria campaigning against Hinkley Point C, January 2015. (c) Greenpeace

As I was born and raised in Austria I had been rejecting nuclear power production for most of my life, without a special interest in the issue. It simply occurred to me that the technology in question came along with too many uncertainties and risks. In that sense it seemed obvious that a technology of this kind was no solution for future energy demands. Fullstop.

However, throughout the last few years I repeatedly turned towards the issue of nuclear power production. It makes a good case for reflecting different aspects of the relations between science, technology and society. As a consequence of this research interest, I became acquainted with work in STS that highlights the role of technopolitical cultures in shaping the relationship between societal actors and technologies. From this perspective it became quite clear that “my convictions” on nuclear power production were not the result of “critical” engagement with nuclear technologies. Read More

From Theory to Practice in Arts-based Research!?

by Bernhard Böhm

Photo: Ars Electronica Futurelab

Can artists become researchers or are they researchers already? If artists are researchers, what kind of knowledge do they produce? How do they produce knowledge and finally, what are similarities and differences between artistic forms knowledge production and academic research?

In the last couple of years these questions have been high on the agenda of science policy makers, rectors of art universities, and theoreticians. This is due to recent political reforms, such as the Bologna Process. Through these reforms art colleges and universities have to function, in ‘harmony’ with the other European universities, as academic research and teaching institutions. Hence art is ever more discussed as a field of knowledge production. Read More